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CENTER FOR CRAFT CREATIVITY DESIGN ENEWS
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January 2007
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Greetings!
The Center for Craft, Creativity and Design (CCCD)
has launched ENEWS to keep you current with all our
programs, exhibits and events. ENEWS will be sent
out monthly with most news linking to more lengthy
information found on our website www.craftcreativitydesign.org.
Announcements cards will still be mailed for
upcoming exhibits and talks. If you are on our
mailing list to receive an announcement card for
exhibits and would prefer to receive the information
through ENEWS, please let us know and it will save
us a stamp!
Dian Magie, Executive Director
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SCULPTURAL/FUNCTIONAL CLAY EXHIBITION
UNC Asheville Faculty, Students and Alumni Clay Artists November 28, 2006 through February 16, 2007
Twenty-one clay artists - faculty, and current and
graduated students – now have work on display in the
galleries of the Craft Center through February 16,
2007. Megan Wolfe, now in her 10th
year as clay faculty, is responsible for the amazing
growth of the clay program, in part because her
teaching style encourages students to explore and
develop their own unique approach to ceramics. This
is very evident in the exhibit that ranges from
delicate porcelain functional dinnerware, to
sculpture using paper clay, and work fired in the
large UNC Asheville anagama built after Megan
arrived. Laura Aultman, received
her M.F.A. from University of Florida at Gainesville
after graduating from UNCA, and returned this year
to teach in the program while Megan is on sabbatical
and enjoying her son, Winston born in August. Six
UNC Asheville ceramic students, and Laura Aultman,
participated in the Nina Hole residency in Boone,
helping to create the amazing Fire Sculpture.
The exhibit includes faculty: Megan Wolfe and Laura
Aultman; alumni: Kyle Carpenter, Terrell Whitworth,
Jason Witherspoon, Maria Andrade Troya, Annie
Singletary, Heather Knight, Cheryl Andrews, Sahar
Al-abed Fakhoury, and Matt Jacobs; students: Will
Rogers, Ben Crowfoot, Charla Wall, Michael Cole, Jay
Roberts, Lillian Byers, Peter Wentz, Josh Copus,
Sean Fairbridge, Amanda Meyers. Graduating senior
Josh Copus, who mines “wild” clay and fires with
wood, received one of the $15,000 Windgate
Fellowships in 2006 in steep competition with
students nominated from 54 universities across the
country. Most of the work in the exhibit is
available for purchase.
Gallery hours are 1-5pm, Tuesday through
Saturday, free to the public.
When Wars Are Over by Jason
Weatherspoon, UNC Asheville alumni
41 inch high x 26 inches wide, ceramic, glaze, silk
flowers 2006
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SCULPTURAL/FUNCTIONAL - ARTIST RECEPTION
Friday, January 19, 2007 4-6pm
You are invited to attend a reception at the Center
for Craft, Creativity and Design, 1181 Broyles Road
for the faculty, students and alumni of the UNC
Asheville Ceramics Department with work in this
exhibited curated by UNC Asheville Ceramic Professor
Megan Wolfe.
Front, left to right: Native vase with white
slip, Matt Jacobs, student, 13”h x 10”w, native
wild clay and silica slip, wood fired, 2006;
Bound But Determined by Sahar Fakhoury,
student, 24 “ h x 18” w., earthenware, glaze, stain,
underglaze, 2006; Flower Bowl, Annie
Singletary, alumni, 8” h x 9” w.
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2007 WINDGATE MUSEUM INTERNSHIPS ANNOUNCED
This is the second year CCCD has administered the
program providing $5,000 to four museums for
internships. The goal of the program is to expand
the number of future curators with experience and
expertise on studio craft artists and their work.
BFA, MA, and MFA students should send a letter of
interest together with their vitae to the museum.
The museum will select the interns.
The Museum of Fine Arts, Boston
Intern Position description: The intern will
work with the assistant curator of American
decorative arts and sculpture on two projects
involving the MFA’s large collection of studio
craft. One project will be conducting oral history
interviews with artists represented in the Daphne
Farago collection of studio jewelry, a recent gift
to the MFA of more than 600 objects. The intern
will also research the Museum’s collection of
contemporary ceramics, glass, and furniture, and
assist with planning future gallery installations of
the studio craft collections. Internship will begin
in June 2007 and continue five days a week for 12
weeks, with alternate schedule possible.
Application deadline – March 15, 2007 include
curriculum vita and cover letter to:
Senior Manager of Employment
Human Resources Department
Museum of Fine Arts, Boston
465 Huntington Ave, Boston, MA 02115
The Museum of Fine Art Houston
Intern Position description: the intern’s
main project will be to help the curator of
decorative arts and design with the upcoming
traveling exhibition Ornament as Art: Avant-Garde
Jewelry from the Helen Williams Drutt Collection
(opening September 30, 2007). Responsibilities will
include maintaining and updating the exhibition
checklist; helping assemble labels, public
relations, marketing and website materials and other
written information about the exhibition;
participating in installation design, conservation,
and educational program meetings leading up to the
exhibition opening.
Application deadline – February 15, 2007 include
curriculum vita and cover letter to:
Cindi Strauss, Curator of Modern and Contemporary
Arts and Design
The Museum of Fine Arts, Houston
PO Box 6828, Houston, TX 77265-6826
FAX 713-639-7399 cstrauss@mfah.org
Bellevue Arts Museum, Bellevue, Washington
An Intern Position will also be available in the
2007 at the Bellevue Arts Museum. Application
information will be posted on the CCCD website by
the last of January and listed in the FEBRUARY ENEWS
San Francisco Museum of Craft + Design
Bianca Finley Alper, a first year student in the San
Francisco State University Museum Studies Graduate
program was selected in fall 2007, after the initial
intern selected withdrew. She will continue her
internship with the San Francisco Museum of Craft +
Design working with exhibition installation,
condition reports, and groups/docent tours.
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CRAFT/HISTORY BOOK
At the end of 2006, CCCD received an anonymous gift
of $25,000 for the publication of 20th Century
American Studio Craft. Under the auspices of
CCCD, the manuscript by Janet Koplos and Bruce
Metcalf, is going to the publisher, the University
of North Carolina Press, in March 2007 for a release
in 2008. The book was identified as the number one
priority for the field in advancing craft in
academia in 2002. Annual progress to achieve this
end is outlined on www.craftcreativitydesign.org
under the section Research, including a listing of
all the craft organizations, foundations and
individuals who will be acknowledged in the
publication for their support of the project. There
is a section for faculty who are interested in this
history/text to send information to CCCD.
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COLLEGE ART ASSOCIATION
Two sessions at the February 2007 annual CAA
conference will be chaired by the craft history/text
authors Janet Koplos and Bruce Metcalf. There were
so many responses to the session theme "When is
Technique Central to Meaning?" that it is being
offered on Friday, February 16, at 9:30am-noon with
one panel and a second panel on Saturday, February
17, at 2:30-5:00pm. Virginia B. Spivey, who taught
art history at the University of North Carolina
Asheville until she moved in 2006, is on the
Saturday panel. CCCD will be working with authors,
the University of North Carolina Press, and
academics who have participated in past annual North
Carolina Craft Retreats to plan events at the 2008
CAA conference in Dallas with the release of 20th
Century American Studio Craft, a history and
undergraduate text.
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POST SCRIPT ON NINA HOLE RESIDENCY
Suzanne Hobbs, one of the 21 students who had
the opportunity to work with Nina Hole, and a
December BFA graduate from Appalachian State
Univeristy, is now in Veracruz, Mexico working with
Nina on her next fire sculpture. She wrote in
December, 2006, "...I had such a great experience
working with Nina, that I am traveling to Veracruz,
Mexico to work on her next project in January – so
once again thank you! Without the hard work of
everyone at the CCCD I never would have been able to
do this. Since I have been talking to Elsa Naveda,
the site coordinator in Veracruz, I have quickly
realized how much work really goes into planning a
project of this magnitude. I think that our project
here in NC was very well organized, and I can vouch
for the fact that all of the students involved were
well taken care of. ...In terms of my own work, I
learned that it is okay to take risks. ...Nina really
inspired me to push my own work, because sometimes a
little more knowledge about my craft is just as
meaningful as the work of art."
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NEW BOARD MEMBERS
Richard Tichich, Art Department Head, Western
Carolina University and from Appalachian State
University, Robin Martindale, Professor of
Sculpture and Eric Reichard, Professor of
Technology have been appointed by Erskin Boyles,
President of the University of North Carolina
system, to the Policy Board of the Center for Craft,
Creativity and Design. CCCD is an
inter-institutional center of the University of
North Carolina, and members of the Policy Board
represent each of the three partner UNC campuses –
UNC Asheville, Appalachian State University and
Western Carolina University. Collaborative
projects such as the recent residency by Danish
ceramic sculptor Nina Hole require the active
participation of all three campuses, and the Policy
Board is the link to the three campuses.
Richard Tichich, received his MFA from the
University of Texas, San Antonio, has received a
Fulbright award, and currently serves on the College
Art Association/s Education and Nominations
committees, and is a site evaluator for the National
Association of Schools of Art and Design. He came
to WCU from East Carolina University and before that
Georgia Southern University.
Robin Martindale, received her MFA from the
University of North Carolina, Chapel Hill and joined
the faculty of ASU in 1987. Her sculptures have
been in numerous solo and invitational exhibitions
and she received the outstanding teaching award from
the College of Fine and Applied Art for the 2002-03
school year. In the spring of 2003, Robin was the
faculty representing ASU on the David Nash residency
sponsored by CCCD.
Eric Reichard, was the site coordinator for
the CCCD Nina Hole Residency in the fall of 2006,
providing humor and the ultimate in organizational
skills while working with 23 students, faculty from
all institutions involved, and the drop-in visitors
who would show up daily over the 21 day residency.
He graduated with a MA in Industrial Arts and
Technical Education from ASU, followed by ceramic
studies in Japan. For more than 30 years Eric has
taught at ASU, developing and directing Craft
Enrichment Workshops since 1998.
The three new board members join
current Policy Board members
WCU - Brenda Coats, Art History faculty and
Martin DeWitt, Director of the Museum of Art;
ASU – Jody Servon, Catherine Smith Gallery
Coordinator/Arts Management faculty; UNC Asheville –
Dan Millspaugh, Sculpture faculty and ,
Ceramics faculty; and David Hutto, Dean,
Technology and Development, Blue Ridge Community
College.
CCCD also has a strong nonprofit supporting
foundation with 10 board members from throughout
western North Carolina: Peter Alberice,
Camille-Alberice Architects, P.A.; Becky
Anderson, Director, HandMade in America; Ann
Batchelder, curator and editor FiberARTS
Magazine 1988-1998; Judith Duff,
professional Potter, Cedar Mountain Art Works;
Catharine Ellis, Professional Fiber
Department, Haywood Community College; Ken
Gaylord, Ken Gaylord Architects and Blackhawk
Construction; Andrew Glasgow, Director, The
Furniture Society; Stoney Lamar, wood
sculptor; Ted Lappas, attorney, developer;
Jean McLaughlin, Executive Director, Penland
School of Crafts.
Image: Eric Reichard with Nina Hole outlining
the work students will be responsible for during
their participation in the building of the Fire
Sculpture.
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About Us
The Center for Craft, Creativity and Design is an
inter-institutional Center of the University of
North Carolina.
The mission of the regional UNC Center is to support
and advance craft, creativity and design in
education and research, and, through community
collaborations, to demonstrate ways that craft and
design provide creative solutions to community
issues. The mission of the nonprofit CCCD is to
support the mission of the UNC center through
funding, programs, and outreach to artists, craft
organizations, schools in the community, region and
nation.
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