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In this issue...
  • SCULPTURAL/FUNCTIONAL CLAY EXHIBITION

  • SCULPTURAL/FUNCTIONAL - ARTIST RECEPTION

  • 2007 WINDGATE MUSEUM INTERNSHIPS ANNOUNCED

  • CRAFT/HISTORY BOOK

  • COLLEGE ART ASSOCIATION

  • POST SCRIPT ON NINA HOLE RESIDENCY

  • NEW BOARD MEMBERS


  • CENTER FOR CRAFT CREATIVITY DESIGN ENEWS January 2007

    Greetings!

    The Center for Craft, Creativity and Design (CCCD) has launched ENEWS to keep you current with all our programs, exhibits and events. ENEWS will be sent out monthly with most news linking to more lengthy information found on our website www.craftcreativitydesign.org. Announcements cards will still be mailed for upcoming exhibits and talks. If you are on our mailing list to receive an announcement card for exhibits and would prefer to receive the information through ENEWS, please let us know and it will save us a stamp!


    Dian Magie, Executive Director

    SCULPTURAL/FUNCTIONAL CLAY EXHIBITION

    UNC Asheville Faculty, Students and Alumni Clay Artists
    November 28, 2006 through February 16, 2007

    Twenty-one clay artists - faculty, and current and graduated students – now have work on display in the galleries of the Craft Center through February 16, 2007. Megan Wolfe, now in her 10th year as clay faculty, is responsible for the amazing growth of the clay program, in part because her teaching style encourages students to explore and develop their own unique approach to ceramics. This is very evident in the exhibit that ranges from delicate porcelain functional dinnerware, to sculpture using paper clay, and work fired in the large UNC Asheville anagama built after Megan arrived. Laura Aultman, received her M.F.A. from University of Florida at Gainesville after graduating from UNCA, and returned this year to teach in the program while Megan is on sabbatical and enjoying her son, Winston born in August. Six UNC Asheville ceramic students, and Laura Aultman, participated in the Nina Hole residency in Boone, helping to create the amazing Fire Sculpture.

    The exhibit includes faculty: Megan Wolfe and Laura Aultman; alumni: Kyle Carpenter, Terrell Whitworth, Jason Witherspoon, Maria Andrade Troya, Annie Singletary, Heather Knight, Cheryl Andrews, Sahar Al-abed Fakhoury, and Matt Jacobs; students: Will Rogers, Ben Crowfoot, Charla Wall, Michael Cole, Jay Roberts, Lillian Byers, Peter Wentz, Josh Copus, Sean Fairbridge, Amanda Meyers. Graduating senior Josh Copus, who mines “wild” clay and fires with wood, received one of the $15,000 Windgate Fellowships in 2006 in steep competition with students nominated from 54 universities across the country. Most of the work in the exhibit is available for purchase.

    Gallery hours are 1-5pm, Tuesday through Saturday, free to the public.

    When Wars Are Over by Jason Weatherspoon, UNC Asheville alumni
    41 inch high x 26 inches wide, ceramic, glaze, silk flowers 2006


    SCULPTURAL/FUNCTIONAL - ARTIST RECEPTION

    Friday, January 19, 2007 4-6pm

    You are invited to attend a reception at the Center for Craft, Creativity and Design, 1181 Broyles Road for the faculty, students and alumni of the UNC Asheville Ceramics Department with work in this exhibited curated by UNC Asheville Ceramic Professor Megan Wolfe.

    Front, left to right: Native vase with white slip, Matt Jacobs, student, 13”h x 10”w, native wild clay and silica slip, wood fired, 2006; Bound But Determined by Sahar Fakhoury, student, 24 “ h x 18” w., earthenware, glaze, stain, underglaze, 2006; Flower Bowl, Annie Singletary, alumni, 8” h x 9” w.


    2007 WINDGATE MUSEUM INTERNSHIPS ANNOUNCED

    This is the second year CCCD has administered the program providing $5,000 to four museums for internships. The goal of the program is to expand the number of future curators with experience and expertise on studio craft artists and their work. BFA, MA, and MFA students should send a letter of interest together with their vitae to the museum. The museum will select the interns.

    The Museum of Fine Arts, Boston
    Intern Position description: The intern will work with the assistant curator of American decorative arts and sculpture on two projects involving the MFA’s large collection of studio craft. One project will be conducting oral history interviews with artists represented in the Daphne Farago collection of studio jewelry, a recent gift to the MFA of more than 600 objects. The intern will also research the Museum’s collection of contemporary ceramics, glass, and furniture, and assist with planning future gallery installations of the studio craft collections. Internship will begin in June 2007 and continue five days a week for 12 weeks, with alternate schedule possible.

    Application deadline – March 15, 2007 include curriculum vita and cover letter to:

    Senior Manager of Employment
    Human Resources Department
    Museum of Fine Arts, Boston
    465 Huntington Ave, Boston, MA 02115

    The Museum of Fine Art Houston
    Intern Position description: the intern’s main project will be to help the curator of decorative arts and design with the upcoming traveling exhibition Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection (opening September 30, 2007). Responsibilities will include maintaining and updating the exhibition checklist; helping assemble labels, public relations, marketing and website materials and other written information about the exhibition; participating in installation design, conservation, and educational program meetings leading up to the exhibition opening.

    Application deadline – February 15, 2007 include curriculum vita and cover letter to:

    Cindi Strauss, Curator of Modern and Contemporary Arts and Design
    The Museum of Fine Arts, Houston
    PO Box 6828, Houston, TX 77265-6826
    FAX 713-639-7399 cstrauss@mfah.org

    Bellevue Arts Museum, Bellevue, Washington
    An Intern Position will also be available in the 2007 at the Bellevue Arts Museum. Application information will be posted on the CCCD website by the last of January and listed in the FEBRUARY ENEWS

    San Francisco Museum of Craft + Design
    Bianca Finley Alper, a first year student in the San Francisco State University Museum Studies Graduate program was selected in fall 2007, after the initial intern selected withdrew. She will continue her internship with the San Francisco Museum of Craft + Design working with exhibition installation, condition reports, and groups/docent tours.


    CRAFT/HISTORY BOOK

    At the end of 2006, CCCD received an anonymous gift of $25,000 for the publication of 20th Century American Studio Craft. Under the auspices of CCCD, the manuscript by Janet Koplos and Bruce Metcalf, is going to the publisher, the University of North Carolina Press, in March 2007 for a release in 2008. The book was identified as the number one priority for the field in advancing craft in academia in 2002. Annual progress to achieve this end is outlined on www.craftcreativitydesign.org under the section Research, including a listing of all the craft organizations, foundations and individuals who will be acknowledged in the publication for their support of the project. There is a section for faculty who are interested in this history/text to send information to CCCD.


    COLLEGE ART ASSOCIATION

    Two sessions at the February 2007 annual CAA conference will be chaired by the craft history/text authors Janet Koplos and Bruce Metcalf. There were so many responses to the session theme "When is Technique Central to Meaning?" that it is being offered on Friday, February 16, at 9:30am-noon with one panel and a second panel on Saturday, February 17, at 2:30-5:00pm. Virginia B. Spivey, who taught art history at the University of North Carolina Asheville until she moved in 2006, is on the Saturday panel. CCCD will be working with authors, the University of North Carolina Press, and academics who have participated in past annual North Carolina Craft Retreats to plan events at the 2008 CAA conference in Dallas with the release of 20th Century American Studio Craft, a history and undergraduate text.


    POST SCRIPT ON NINA HOLE RESIDENCY

    Suzanne Hobbs, one of the 21 students who had the opportunity to work with Nina Hole, and a December BFA graduate from Appalachian State Univeristy, is now in Veracruz, Mexico working with Nina on her next fire sculpture. She wrote in December, 2006, "...I had such a great experience working with Nina, that I am traveling to Veracruz, Mexico to work on her next project in January – so once again thank you! Without the hard work of everyone at the CCCD I never would have been able to do this. Since I have been talking to Elsa Naveda, the site coordinator in Veracruz, I have quickly realized how much work really goes into planning a project of this magnitude. I think that our project here in NC was very well organized, and I can vouch for the fact that all of the students involved were well taken care of. ...In terms of my own work, I learned that it is okay to take risks. ...Nina really inspired me to push my own work, because sometimes a little more knowledge about my craft is just as meaningful as the work of art."


    NEW BOARD MEMBERS

    Richard Tichich, Art Department Head, Western Carolina University and from Appalachian State University, Robin Martindale, Professor of Sculpture and Eric Reichard, Professor of Technology have been appointed by Erskin Boyles, President of the University of North Carolina system, to the Policy Board of the Center for Craft, Creativity and Design. CCCD is an inter-institutional center of the University of North Carolina, and members of the Policy Board represent each of the three partner UNC campuses – UNC Asheville, Appalachian State University and Western Carolina University. Collaborative projects such as the recent residency by Danish ceramic sculptor Nina Hole require the active participation of all three campuses, and the Policy Board is the link to the three campuses.

    Richard Tichich, received his MFA from the University of Texas, San Antonio, has received a Fulbright award, and currently serves on the College Art Association/s Education and Nominations committees, and is a site evaluator for the National Association of Schools of Art and Design. He came to WCU from East Carolina University and before that Georgia Southern University.

    Robin Martindale, received her MFA from the University of North Carolina, Chapel Hill and joined the faculty of ASU in 1987. Her sculptures have been in numerous solo and invitational exhibitions and she received the outstanding teaching award from the College of Fine and Applied Art for the 2002-03 school year. In the spring of 2003, Robin was the faculty representing ASU on the David Nash residency sponsored by CCCD.

    Eric Reichard, was the site coordinator for the CCCD Nina Hole Residency in the fall of 2006, providing humor and the ultimate in organizational skills while working with 23 students, faculty from all institutions involved, and the drop-in visitors who would show up daily over the 21 day residency. He graduated with a MA in Industrial Arts and Technical Education from ASU, followed by ceramic studies in Japan. For more than 30 years Eric has taught at ASU, developing and directing Craft Enrichment Workshops since 1998.

    The three new board members join current Policy Board members WCU - Brenda Coats, Art History faculty and Martin DeWitt, Director of the Museum of Art; ASU – Jody Servon, Catherine Smith Gallery Coordinator/Arts Management faculty; UNC Asheville – Dan Millspaugh, Sculpture faculty and , Ceramics faculty; and David Hutto, Dean, Technology and Development, Blue Ridge Community College.

    CCCD also has a strong nonprofit supporting foundation with 10 board members from throughout western North Carolina: Peter Alberice, Camille-Alberice Architects, P.A.; Becky Anderson, Director, HandMade in America; Ann Batchelder, curator and editor FiberARTS Magazine 1988-1998; Judith Duff, professional Potter, Cedar Mountain Art Works; Catharine Ellis, Professional Fiber Department, Haywood Community College; Ken Gaylord, Ken Gaylord Architects and Blackhawk Construction; Andrew Glasgow, Director, The Furniture Society; Stoney Lamar, wood sculptor; Ted Lappas, attorney, developer; Jean McLaughlin, Executive Director, Penland School of Crafts.

    Image: Eric Reichard with Nina Hole outlining the work students will be responsible for during their participation in the building of the Fire Sculpture.

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  • Center for Craft Creativity Design
  • About Us
    The Center for Craft, Creativity and Design is an inter-institutional Center of the University of North Carolina.

    The mission of the regional UNC Center is to support and advance craft, creativity and design in education and research, and, through community collaborations, to demonstrate ways that craft and design provide creative solutions to community issues. The mission of the nonprofit CCCD is to support the mission of the UNC center through funding, programs, and outreach to artists, craft organizations, schools in the community, region and nation.

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